You’re removing the black while adding the white. “When you tattoo over tattooed skin, you’re breaking apart the old design. “You need a tattooer who understands how the black and white pigments work together,” explains Nathan Mould, one of the more prolific white-on-black workers in the industry. White-on-black is not a simple request, and many professionals don’t feel comfortable with it. Top: Healed sleeves by Nathan Mould Bottom: Filigree ornaments by Ruslan Batyrbaev. It’s a huge investment of time and money, especially if your artist isn’t local. ![]() Since the skin needs to heal in between each session, this can take years to finish a single piece. This means devoting a lot of hours to cover the original tattoos in black ink, then returning up to five additional times for a pass of whitework on top. Most of these cover ups involve large sections of the body. Top: Fresh white ink on healed blackwork by Nathan Mould.īefore and After: Esther Garcia’s single session of white ink gives a chalkboard-like effect. But there is much to consider before jumping in. White appears to offer new design options for anyone covering full sleeves of mistakes. Lasering is expensive, scarification is still niche, and solid blackwork can feel too heavy for some folks. ![]() White-on-black isn’t new, but it’s definitely growing as more people seek creative cover ups. ![]() That’s a big reason white-on-black ink cover ups are sparking curiosities around the world. One side effect from the rise in tattooing is a rise in regret, as well.
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